Greetings one and all, and happy Friday. Hope everyone has had a great week. Mine was decidedly strange, and truly should have ended on Wednesday. But I shall continue to slog through, it’s only a few hours more after all.
Today’s post is one that we’ve touched on prior here on NQ, but it obviously needs repeating. I’ve been reading a book which is the source of much angst currently in my life. Normally I can whip through an ebook in no more than two days, a paperback roughly three. This bugger has me currently at day four and I’m only half way through. It’s not a super long book by any means, 168 pages (print length), which for me is usually nothing.
But I’m having trouble with it. For one, the heroine has seesaw emotions that quite frankly have me feeling nauseous. I’m a roller coaster, slingshot, etc. riding maniac. The more something makes you scream the better. Yet this up and down with her emotions, one minute she’s terrified, two paragraphs later she’s all lovey-dovey, and then she’s angry, and then and then and then…
To top it off, roughly around chapter two, the hero in the story (and her future man) refers to himself in conversation with the antagonist. And not in a third person sort of thing, but as a separate person entirely. It threw me, completely. But so far it’s the worst thing that’s happen where he’s involved. The heroine on the other hand – she might just benefit from seeking professional help with her rather severe, and whiplash like mood swings.
While the concept of this book is also quite intriguing, the totality is thus far leaving me with no more than a bad taste.
Let’s be clear here authors. If your heroine/hero/secondary character, whomever, is in a traumatizing event – yes they should be a little out of sorts, and even moody. But once they have pushed through that initial trauma, unless you are specifically putting in some PTSD, quit with the emotional seesaw! Readers don’t like that shit. Other authors who read your works REALLY don’t like that shit. STOP IT!
The emotion of your character(s) needs to fit the situation. If it’s upbeat, light, and fun keep it that way. If you’re throwing them into danger than make sure their emotional state fits. Having your characters acting out of tune with the scene you’ve set in detail only confuses your readers, and makes it feel like slogging through the bayou on the hottest day on record. No fun at all.
So unless your one character knows something that the others in the situation don’t, or has had a horrid day, or ended up run over by a tanker trailer, try to keep their emotions on an even keel. Readers everywhere will thank you, and we on NQ won’t have to keep writing about it.